Vogue – Royals, like successful actors, must make do without some forms of freedom. On the podium or in the camera’s eye, they live in roles that others have provided. Within the court and on red carpets, they’re invested with the harder task of playing themselves. Season three of The Crown, Netflix’s portrait of the rise and reign of Queen Elizabeth II, starts with the monarch contemplating her own aging image on a postage stamp, two enlarged designs from different eras facing her like mirror panes—an unsettling self-encounter echoed at vanity tables and on vintage TVs through the rest of the season. If the series’ first two installments, featuring Claire Foy, played on the theme of duty, the new one, starring Olivia Colman, concerns the pinch of life as a performer. It’s the story of a woman at the peak of self-command who works to excel at all her roles while also—quietly—remaking the norms of the job…

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